Intercharacter breakdown is average, with optimal letter spacing. Moreover, even acute-angled serifs are elongated. The words are arranged in one line and have an elongated shape.
#FINAL FANTASY LOGO FULL#
Font and Color of the EmblemĪ key element of all logos is the full name of the video game. A little later, Tetsuya Nomura took his place, since this artist’s drawings were more suitable for 3D graphics.
He also became the author of logos – for the main parts, additional versions, in general, for all sequels and spin-offs. It was he who came up with the design, created the images of heroes and monsters. The main artist behind the first six computer games was Yoshitaka Amano. Sakaguchi directed and directed the first games by himself, but then he took up production and was replaced by others. Game designers, of whom there were several, also contributed their vision. There are also versions for PCs, consoles, mobile phones. Gradually, both video games and signs of their visual identity moved away from a purely Japanese direction: many are adapted for the markets of Australia, Europe, and North America. The company pays special attention to the emotional side, for which it reflects peak tension in gaming emblems: suspicion, despair, fearlessness, devotion, greatness, pressure, etc. This is necessary to demonstrate the dynamics: a fluttering cloak, flapping of wings, falling from a height, and much more. As a rule, they are thin, curly, winding. The drawing technique is the same everywhere: sweeping strokes go from the general element to small details. Usually, the image of one of the characters or several at once is used as a splash screen (labels, icons, emblems, etc.). Moreover, there are as many logos as there are variations of the game. The gameplay elements remained unchanged, and even those designers slightly modernized – in particular, the development system of the characters.
Therefore, after the sudden success, the author chose a radically different plot for the sequel, which had nothing to do with past events. However, Sakaguchi didn’t expect it to require a sequel when creating the first draft. Each part of the collection is an independent universe, designed by designers in an inimitable style. But not the characters, the setting, or the storyline. Originality is associated with the corporate identity that is present in all logos.ĭespite many subsequent video games, they are separate episodes, united only by general conceptual principles. To distinguish them, look at the emblem – simple, concise, and at the same time, unique. However, they have nothing to do with the official series. True, as Square developed, spin-offs began to appear, low-budget side gadgets, made in a similar style. In all, there are fifteen sequels and one remark (continued). The entire chronology is reflected in the logos that accompanied each issue. They have become tactical, adventure (action), online multiplayer, and even racing. Moreover, if at the beginning Final Fantasy games were related only to role-playing ones, then later they grew into other formats. As a result, Hironobu Sakaguchi received widespread recognition instead of leaving (the developer planned to quit the computer games industry). The product released was incredibly successful. This was his last chance to prevent bankruptcy. The agency was in serious financial difficulty and was in a very difficult situation, which underlines the computer game’s name, subsequently presented to gamers. It all started in a small and unknown studio, where several employees worked. Magazines, anime, films, and other content have been created from them.
#FINAL FANTASY LOGO SERIES#
It is based on the eponymous JRPG series of sci-fi video games, the first of which appeared in 1987. Final Fantasy is a media franchise owned by Square Enix Holdings Co., Ltd.
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